The stage is round, 6 metres in diameter and lifted 30 cm off the ground. 6 metal poles - each 2.5 metres high - are placed at 60 degree intervals around the circumference of the stage. The poles are adorned with twisted, organic gargoyles that stand sentinel, casting strange shadows over the stage. Six red lights are mounted on the poles. These provide a slowly pulsing, womb-like ambience of light. Six larger theatre lights are mounted outside the stage, three of which give off a white light and three that are fitted with blue, purple and green filters. Together, these twelve lights are used to create a variety of lighting states, spaces of light and heat. A speaker system consisting of 8 speakers and a subwoofer is rigged off stage, broadcasting the sounds into the space. The music uses heavy bass frequencies that set the room vibrating. The infrared beam interface consists of nine invisible beams crossing the space. Each beam is controlled by one transmitter unit and one reflector unit. These are mounted on the poles so that the total of 18 units are evenly distributed, three to every pole. The beams are placed so that all poles are connected, except around the perimeter of the stage. Users moving on the stage can trigger a beams every half metre.